All Carlo Dolci 's Paintings
The Painting Names Are Sorted From A to Z


Choice ID Image  Paintings (From A to Z)       Details 
26859 Carlo dolci  Carlo dolci   mk52 1674 Oil on canvas 74.5x60.5cm Uffizi.Florence
96808 Madona  Madona   17th century Medium oil on canvas Dimensions 74.5 X 62.5 cm cyf
96914 Mater dolorosa  Mater dolorosa   17th century Medium oil on canvas Dimensions 51 X 39.5 cm cyf
28967 Portrait of Ainolfo de'Bardi  Portrait of Ainolfo de'Bardi   mk65 Oil on canvas 58 7/8x46 7/8in Uffizi
28966 Portrait of Stefano Della Bella  Portrait of Stefano Della Bella   mk65 Oil on canvas 23 3/16x18 7/8in Pitti,
81097 Ritratto di Stefano Della Bella  Ritratto di Stefano Della Bella   o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze Date 1631 cyf
77822 Ritratto di Stefano Della Bella,  Ritratto di Stefano Della Bella,   Ritratto di Stefano Della Bella, o/tv, 59 x 48 cm, Galleria Palatina, Palazzo Pitti, Firenze cjr
28965 St.Andrew before the Cross  St.Andrew before the Cross   mk65 Oil on canvas 48x22 1/4in Pitti,Palatine Gallery
29210 St.Cecilia  St.Cecilia   mk65 ca.1670 Oil on canvas 49 1/2x39"

Carlo Dolci
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci. His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano, nicknamed "fa presto" (quick worker), paint more in five hours than he could have completed in months,

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